Taj Mahal

ust as there's no such thing as "a bad time to live", there's no such

thing as "bad time to visit" one of the most scintillating and marvelous wonders of the world, the Taj

Mahal. Whatever be the time of the year, the Taj Mahal will not stop with its mission to spread its charm and glory and will continue to be as luminescent as ever. But as a visit in the months of summers requires a high threshold to bear the heat, the period between the co

mparatively cooler months i.e. October to March is generally considered a best time to visit the Taj Mahal. Having said that, know that the radiance of the Taj Mahal is simply dazzling, and changes with every passing hour, reflecting a different aura in different seasons. Also,

the visual beauty of the Taj Mahal is at its peak during sunrise, sunset, and under the full moon night.

Taj Mahal at Sunrise
Watching the sun rise u

p from under the sea of sky is a sight

to behold, and what better way to experience it than to watch it take its place up there while you stand on the premises of one of the Seven Wonders of the World. It's a moment of delight when the beauty of the sunrise and the Taj Mahal culminate together to make for some awe-inspiring images of the Taj, being tra

nsformed from soft grey and pink to a soft red glow.
Taj Mahal at Sunset
After shining its glory all through the day, when the sun climbs down the stairway of heavens and gets ready to say adios to the world, it plays its final trick in the book by lending Taj Maha

l a different appearance with the shades of fiery yellow being transformed into soft exotic orange and finally to pearl white again, until the full moon prepares itself to accompany the Taj all through the night while dazzling the world with its quiet heavenly elegance.

Taj Mahal under Full Moon Night
By the night when the full moon is high up in the sky, the beauty that Taj Mahal breathes out is beyond the scope of words. A silver glow that takes over Taj Mahal is so mesmerizing that most of the things you'll see after that will feel ordinary at best.

This fabulous interplay of colors all through the day, and then night, symbolically implies the presence of God, who is never represented in the anthropomorphic form.

The best time to arrive would be just before the sunrise or sunset. Night viewing is allowed on the full moon night, two days before it and two days after it. Tickets for the

same need to be booked one day in advance.

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Agra, once the capital of the Mughal Empire during the 16th and early 18th centuries, is one and a half hours by express train from New Delhi. Tourists from all over the world visit Agra not to see the ruins of the red sandstone fortress built by the Mughal emperors but to make a pilgrimage to Taj Mahal, India’s most famous architectural wonder, in a land where magnificent temples and edificies abound to remind visitors about the rich civilization of a country that is slowly but surely lifting itself into an industrialized society.

The postcard picture of Taj Mahal does not adequately convey the legend, the poetry and the romance that shroud what Rabindranath Tagore calls "a teardrop on the cheek of time". Taj Mahal means "Crown Palace" and is in fact the most well preserved and architecturally beautiful tomb in the world. It is best described by the English poet, Sir Edwin Arnold, as "Not a piece of architecture, as other buildings are, but the proud passions of an emperor’s love wrought in living stones." It is a celebration of woman built in marble and that’s the way to appreciate it.

Taj Mahal stands on the bank of River Yamuna, which otherwise serves as a wide moat defending the Great Red Fort of Agra

, the center of the Mughal emperors until they moved their capital to Delhi in 1637. It was built by the fifth Mughal emperor, Shah Jahan in 1631 in memory of his second wife, Mumtaz Mahal, a Muslim Persian princess. She died while accompanying her husband in Burhanpur in a campaign to crush a rebell

ion after giving birth to their 14th child. The death so crushed the emperor that all his hair and beard were said to have grown snow white in a few months.

When Mumtaz Mahal was still alive, she extracted four promises from the emperor: first, that he build the Taj; second, that he should marry again; third, that he be kind to their children; and fourth, that he visit the tomb on her death anniversary. He kept the first and second promises. Construction began in 1631 and was completed in 22 years. Twenty thousand people were deployed to work on it. The material was brought in from all over India and central Asia and it took a fleet of 1000 elephants to transport it to the site. It was designed by the Iranian architect Ustad Isa and it is best appreciated when the architecture and its adornments are linked to the passion that inspired it. It is a "symbol of eternal love".

The Taj rises on a high red sandstone base topped by a huge white marble terrace on which rests the famous dome flanked by four tapering minarets. Within the dome lies the jewel-inlaid cenotaph of the queen. So exquisite is the workmanship that the Taj has been described as "having been designed by giants and finished by jewellers". The only asymmetrical object in the Taj is the casket of the emperor which was built beside the queen’s as an afterthought. The emperor was deposed by his son and imprisoned in

the Great Red Fort for eight years but was buried in the Taj. During his imprisonment, he had a view of the Taj.

As a tribute to a beautiful woman and as a monument for enduring love, the Taj reveals its subtleties when one visits it without being in a hurry. The rectangular base of Taj is in itself symbolic of the different sides from which to view a beautiful woman. The main gate is like a veil to a woman’s face which should be lifted delicately, gently and without haste on the wedding night. In indian tradition the veil is lifted gently to reveal the beauty of the bride. As one stands inside the main gate of Taj, his eyes are directed to an arch which frames the Taj.

The dome is made of white marble, but the tomb is set against the plain across the river and it is this background that works its magic of colours that, through their reflection, change the view of the Taj. The colours change at different hours of the day and during different seasons. Like a jewel, the Taj sparkles in moonlight when the semi-precious stones inlaid

into the white marble on the main mausoleum catch the glow of the moon. The Taj is pinkish in the morning, milky white in the evening and golden when the moon shines. These changes, they say, depict the different moods of woman.

Different people have different views of the Taj but it would be enough to say that the Taj has a life of its own that leaps out of marble, provided you understand that it is a monument of love. As an architectural masterpiece, nothing could be added or substracted from it.